Sunday, August 16, 1998
POP EYE
Marilyn Manson Aims to Change Tide of the Mainstream
By STEVE HOCHMAN
Marilyn Manson wants to move beyond the controversies that dogged him and
his
band with the 1996 album "Antichrist Superstar" and subsequent tours.
He's got an odd way of going about it.
Manson's putting an apparently naked picture of himself (though with
breasts
and no genitals) on the cover of the upcoming album, "Mechanical
Animals." He
acknowledges that some of the lyrics deal favorably with drug use, and
he's
making plans for concerts specifically in communities where attempts were
made
to ban his performances.
"There's a certain group of people who are always going to dislike me and
disagree with whatever I say," Manson explains.
He'll simply ignore those people this time as much as he can, he says, as
he
tries to persuade rock and pop fans who may have resisted him in the past
that
he's more than a cartoon.
"I've always considered myself a pop artist, so there are a lot of
mainstream
elements to [the new album]," he says. "But for me it's more interesting
to
change what the mainstream's about than blend in with it. Being in a more
popular position gives me the opportunity to change the direction of
music and
fashion."
To that end. the new album--due Sept. 15--is more "User Friendly," to
cite one
of the song titles. The songs are generally more melodic than past work,
and
the music frequently more colorful and radio-ready. Comparisons to David
Bowie--especially the "Diamond Dogs" and "Scary Monsters" model--are
fitting.
His new look, with bright red hair, is also reminiscent of Bowie's glam
years.
The cover picture (which will also appear on billboards on the Sunset
Strip
and Times Square if plans go through) also reflects the changes.
"The image represents how I see myself and how I think the world sees me
in a
lot of ways--androgynous and sexless at the same time," he says. "That's
kind
of the vulnerable way I see myself on this record."
MANSON ROAD SHOW
Before getting into reaching new people in concert, Manson wants to thank
loyal fans.
"We're going to do some shows for some fans that may have missed it last
year," he says. "We want to go to different cities where it was
prohibited [or
protested]. Want to pay them back for their faith in the band."
That may not prove so easy. John Bolin, director of the Columbia Coliseum
at
the University of South Carolina, a facility that canceled a Manson show
last
year after community uproar, says that trying again will probably prove
futile, even though Manson shows went on around the country without
incident.
"It would be difficult," says Bolin. "There are some great fans of them
here.
But the outcry would be the same as last time. To me it's just another
shock-
rock band, but in this community, when you say satanic things are what
you're
about [as Manson did in several interviews], this community says no."
More troubling to Manson manager Tony Ciulla, attempts to find facilities
in
other cities are running into walls as well. The band has been turned
down so
far by operators of venues in Washington, Tampa Bay, Salt Lake City,
Philadelphia, Baltimore, Houston, Dayton, Cincinnati and Rochester, N.Y.
"Last time around it was speculation of what would happen in the shows,"
he
says. "And we played them and dispelled the ridiculousness. But it
doesn't
seem to mean anything. The response now is, 'Oh, the show is great. We
just
don't want to have to take the heat.' "
MANSON ON DRUGS
One certain hot button with the album will be its numerous references to
drug
use, including the first single, "The Dope Show."
"I advocate the use of drugs, but have always looked down on the abuse of
drugs," Manson says. "The people who misuse them give the rest of us a
bad
name, and I'm not only talking about street drugs.
There are a lot of references in the album to the prescripted lifestyle
that a
lot people have followed and numbed out their emotions and become
mechanical."
His inspiration, he says, comes from such authors as William S. Burroughs
and
Philip K. Dick, who "deal with a lot of stories with narcotics as the
backdrop."
Manson sees "The Dope Show" as the " 'We Are the World' for drug addicts.
I
can imagine all the [celebrities] out there who were arrested over the
last
few years for drugs getting together to do a video."